Planning is underway for the 2014 Conference. Sessions will be posted here as speakers are confirmed. Below are the topics that have currently been confirmed.
Keynote: Uncovering the Truth about Cattle Kate–125 years later
Keynote: The Seven Deadly Sins of Dialogue
- Understand the pitfalls of hackneyed dialogue
- Gain tools for “hearing” dialogue
- Improve dialogue writing
Mind Mapping Your Way to Strong Characters
How can you make your characters leap off the page and take hold of your readers? There are many ways, but one we’ll touch on in this session is Mind Mapping. Be ready to have some crazy fun learning how to use this method to create deep, meaningful characters that your readers will remember long after they finish your story.
- Defining Mind Mapping
- How this can help form/develop characters alone or in addition to other methods you’re already using.
- Use it (This will be the practical aspect to the break-out session where I might use internet, or if you have dry erase boards/markers available)
Self Editing for Fiction Writers
7 Golden Rules of Book Structure
(Landon J. Napoleon)
An overall guide to organizing a book from start to finish.
Writing from Personal Experience: Letting it Ignite Your Writing without Getting Burned
YA author Laura Ellen will discuss her journey to publication and how writing from personal experience both helped and hindered the process. She will discuss topics such as revision, importance of networking and accepting criticism. This will be geared toward both beginning writers and writers who have finished or are close to finishing a novel. Although she will be speaking from the young adult market perspective, the talk will be applicable to all genres.
Session Learning Objectives: Participants will learn how:
- writing from personal experiences can help and hurt their writing
- to keep their vision in tact while taking themselves out of the story
- to revise objectively without getting sucked into their own writing
- to handle criticism and discern what to listen to and what to ignore
- networking with other authors can help them
- to locate opportunities to share their work with agents and editors
Writing Successful Historical Fiction
This session will explore four topics. We will define what historical fiction is in today’s market. We will examine how to do the essential research and then use your research in vivid detail without overburdening your story. We will discuss how to balance fact and fiction by both making the story work and keeping the history right. Last, we will focus on some of the issues particular to historical fiction when you choose your characters and build your plot.
Session Learning Objectives:
- Understand how historical fiction is defined in today’s market.
- Identify the blends and crossover genres that are part of historical fiction.
- Identify methods and resources of effective historical research.
- Examine successful versus overburdening use of research details.
- Discuss when you can and probably should depart from the “facts.”
- Examine how to streamline a plot and keep a story arc in action while building an historical world.
- Identify how to keep your main character “real” and immediate to your audience even though he or she lived a long time ago: making your character face choices (even when you know how history came out), internal struggles, and a lot of complications from secondary characters.
Stretching and Bending the Lines with Creative Non-fiction
Description to come soon.
Guide to Choosing a Publishing Service
Many folks have TONS of questions about publishing in general and about publishing services companies in particular. That’s why we’re holding a special online presentation of ‘The Author’s Guide to Choosing a Publishing Service.’
- The three methods of publishing, and how to decide which method is right for you
- Four misused terms to ignore when researching how to publish
- Nine critical mistakes to avoid when choosing a publishing service
- Three questions to ask your publishing service before you give them a single penny
How to Capture an Editor’s Attention When She Has Ten Other Manuscripts on Her Desk?
This session will be divided into two parts, the first half will focus on what you can do to give your story its very best shot in capturing an editor’s (or agent’s) attention. We’ll discuss the pitch, the query letter, and the manuscript itself; what you can do to make yourself stand out; things you should avoid at all costs; and how to find the right editor or agent for your work. You spent a lot of time and effort writing your story, so make sure it goes out into the world looking like a million bucks. The second half of the session will be opened up for you to ask anything and everything you’ve ever wanted to know about publishing. I will do my best to give you straightforward answers, coming from my 30 years of editing fiction. This is your opportunity to pick an editor’s brain.
- What you can do to capture an editor’s attention
- What things can hurt your chances of being published
- How to work with your editor
- What to expect throughout the publishing process
- The answers to the questions you’ve had but didn’t know who to ask