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Sessions

Written By: library

Planning is underway for the 2014 Conference.  Sessions will be posted here as speakers are confirmed.  Below are the topics that have currently been confirmed.

Keynote Session
(Jana Bommersbach)

Session description to come soon.

Keynote: The Seven Deadly Sins of Dialogue
(Bill Konigsberg)

Description: In this session, award-winning author Bill Konigsberg will go through the seven biggest mistakes authors make when writing dialogue. Starting with humorous examples of bad dialogue, the session will give participants a chance to try their hand at writing the worst scene of dialogue ever. The conversation will then turn to good dialogue, what it consists of, and a few tools writers can use to improve their own dialogue writing.
Learning Objectives:
  • Understand the pitfalls of hackneyed dialogue
  • Gain tools for “hearing” dialogue
  • Improve dialogue writing

 

Mind Mapping Your Way to Strong Characters
(Reese Monroe)

How can you make your characters leap off the page and take hold of your readers? There are many ways, but one we’ll touch on in this session is Mind Mapping. Be ready to have some crazy fun learning how to use this method to create deep, meaningful characters that your readers will remember long after they finish your story.

Learning Objectives:

  • Defining Mind Mapping
  • How this can help form/develop characters alone or in addition to other methods you’re already using.
  • Use it (This will be the practical aspect to the break-out session where I might use internet, or if you have dry erase boards/markers available)

Self Editing for Fiction Writers
(Jessica McCann)

 In this talk, I address the process and various stages of editing a writer can go through — from the plot and character development to theme and fact checking — to ensure the manuscript is ready to submit.

7 Golden Rules of Book Structure
(Landon J. Napoleon)

An overall guide to organizing a book from start to finish.

 

Writing from Personal Experiance: Letting it Ignite Your Writing without Getting Burned
(Laura Ellen)

YA author Laura Ellen will discuss her journey to publication and how writing from personal experiance both helped and hindered the process.  She will discuss topics such as revision, importance of networking and accepting criticism. This will be geared toward both beginning writers and writers who have finished or are close to finishing a novel. Although she will be speaking from the young adult market perspective, the talk will be applicable to all genres.

Session Learning Objectives: Participants will learn how:

  • writing from personal experiences can help and hurt their writing
  • to keep their vision in tact while taking themselves out of the story
  • to revise objectively without getting sucked into their own writing
  • to handle criticism and discern what to listen to and what to ignore
  • networking with other authors can help them
  • to locate opportunities to share their work with agents and editors

Writing Successful Historical Fiction
(Judith Starkston)

This session will explore four topics. We will define what historical fiction is in today’s market. We will examine how to do the essential research and then use your research in vivid detail without overburdening your story. We will discuss how to balance fact and fiction by both making the story work and keeping the history right. Last, we will focus on some of the issues particular to historical fiction when you choose your characters and build your plot.

Session Learning Objectives:

  • Understand how historical fiction is defined in today’s market.
  • Identify the blends and crossover genres that are part of historical fiction.
  • Identify methods and resources of effective historical research.
  • Examine successful versus overburdening use of research details.
  • Discuss when you can and probably should depart from the “facts.”
  • Examine how to streamline a plot and keep a story arc in action while building an historical world.
  • Identify how to keep your main character “real” and immediate to your audience even though he or she lived a long time ago: making your character face choices (even when you know how history came out), internal struggles, and a lot of complications from secondary characters.

More session descriptions to come soon…

 

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